Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Saturday, 3 September 2011

Soundtrack music

This post is in response to NextManStanding post about soundtracks.

I will classify soundtrack music in three categories.

The First Category will be Soundtracks which aim to transmit a specific feeling or mood in general terms. Music born out of a theme or idea.  This music has its origins in academic music.

From Vivaldi's four seasons:



to Holst's Planets:



or the famous Musorgski/Ravel "pictures at an exhibition":




they are compositions that try to express a visual idea, in form of music.  If successful the composer would be able to transmit the basic emotions associated with the visual (or multi sensory input) theme they chose as inspiration.

This is one of my favourite genres of music, since I think it was the first multimedia works, and they obviously work as it even now a days.   A lot of my own music falls into this category, specially when inspired on the places I have visited. Here an example.



Obviously with the advent of films, this was the chosen style that film soundtrack composer have chosen to follow, and there are great composers indeed.  Hans Zimmer, John Williams, Michael Nyman, to name a few. We all have our favourites, and we all know film themes that are easy to distinguish and associate with the film itself, specially if it's a famous one.  TV series and Video Games, now a days, tend to fall also on this categories, with really interesting music made for those two.

I can think of two of my favourites:

Bear McCreary's Battlestar Gallactica music:



Final Fantasy Advent Children:






The second category will be the "jingle"  "intro" themes for commercials, telly series, video games, and to some extend some films.  They tend to be easy listening, rapid-catch themes, case in point this two:





Or "epic and very identifiable themes" like, arguably the most famous music intro to a film,  which most people would recognize.



Even when they have to be in-line with the general feeling of the visual media they are associated, they not necessarily try to express a specific image on the listener (a priori that is).

The third category, the songs that have become famous for a film, tv series, video game or even commercial.  They may or may not have being composed specifically for the visual media they are associated to, they usually aren't, but after the media exposition they have come to be one and the same with the show.  Eg.



My obvious favourite is category one, but there are some interesting things that I have come to love from category 3, and not that many but some specific examples in category 2

So, do you like more a category from another, why and which song/theme is your favourite?

  

Wednesday, 7 April 2010

San Patricio

1846, Mexico became invaded by the USA army in the first of many unjust and thinly veiled wars of aggression that the States have held in their blood thirsty history, driven by the Manifest Destiny.  Captain John Riley and a battalion of Irish soldiers abandoned the US army to join the Mexican defence. They fought until the end, when Mexico City was captured, and find their final end in the Battle of Churubusco, alongside the Mexican army , capture only after all their ammunition has been exhausted, and General Pedro Maria Anaya said the historic phrase "If we had ammunition, you will not be here" when asking to surrender their ammunition to the invading army.

Held as heroes by Mexico, St. Patrick's battalion, also known as Los San Patricios, is honoured every St. Patrick's day on the ex-convent of Churubusco, by the Mexican Banda de Gaitas del Batallón de San Patricio (St. Patrick's Uillean Pipes Band).

Some say they united the Mexican side when they realise that the US was doing the same than Britain did to Ireland before, some say it was because their shared religion, others said it was just aventure. But the fact remains that a small Irish battalion try to help Mexico to defend itself from a foreign invasion, the one who cost it half of their territory. And for that Mexico is always grateful.

The chieftains release a new album called San Patricio, on which they tell this story, and honour it with 19 tracks with collaboration of Mexican and Irish musicians.  Lila Dows, Linda Ronstadt, Carlos Nuñez, Chavela Vargas, Los Tigres del Norte, Liam Neeson, Ry cooder, Moya Brennan, the Banda de Gaita del Batallón de San Patricio and the Chieftains deliver us a wonderful piece of music who mixes mexican and irish rythms, songs in spanish, english and gaeilge, mixture of feelings and cultural common ground.

I have always feel that traditional Irish Music and Mexican music, specially the called in spanish "sones" have a lot of common, I will go as far as to say that the sones are the Mexican interpretation of Celtic music. So it was not that hard to me to visualize this mixture, which was really great to hear it at last.

This is wonderful album that should not only be heard by Mexicans and Irish alike, whether with a Guinness or a Tequila, this music celebration is worth to listen for all the ones who like eclecticism in music, and like a good story telling.



"We are the San Patricios, a brave and gallant band
There'll be no white flag flying within this green command
We are the San Patricios, we have but one demand,
To see the Yankees safely home across the Rio Grande


But when in Churubusco we made our final stand
No court of justice  did we have on the land of Uncle Sam
as traitors and deserters of all we will be shot or hang
far from the green green gentle shore across the Rio Grande

We've disappeared from history like footprints in the sand
But our song is in the tumble weeds and our love is in this land
But if in the desert moonlight you see a ghostly band
We are the men who died for freedom across the Rio Grande".

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